Inanna and Lilith: Differences.

  Definitely, when doing some research and observations about the two Divine figures Sumerian, I could make some iconographic and conceptual features that may elucidate this question that plagues so many hikers: in fact, the first image is Lilith? I, in my humble knowledge, affirm that Yes. There are significant differences which refute the idea of Inanna is the d...eity of the first image in question, the first fact is the iconographic structure of Inanna in all arts found by anthropologists and scholars in their fields of research, the same always possessed garments and quirky adornments.

  The second point is related to body structure of Divine figures, we have to pay attention to the fact that Inanna has no Zoomorphic features, contradicting the link with the image in question. The more expressive counterpoint is found on the head of Inanna, his helmet adorned with horns, in all your images, has an open structure, indicating us symbolically, a connection with the whole personification of a universal female consciousness Some people talk about this image as being the Divine figure Ereshkigal, something completely unlikely, because the same does not have image, is said as "Invisible goddess" not having known iconography.

Why should we believe that the image in question is no doubt Lilith, exclusively?

 

 

 In your hands, we found two symbols that represent birth, immortality and authority over life, few Gods in their myths and cults were represented holding a pair of those symbols, known as the Ankh Sumerian, these arcs have a Aeônica representation, characterizing the existential cycle of divinity. Lilith in his myths, as well as Inanna, went to the underworld, however different manner: Lilith and her consort Zu had their bodies quenched by Anu, while Inanna died hit by "look of death": the mythical weapon that swept through both men and Gods under the orders of Ereshkigal. Inanna was revived by Enki, through the actions of two of its Mukils (beings created through its celestial science) that rescued his body and that of Dumuzi, bringing them back to the realms of Shamash (Sun, ball physics). Lilith and Zu, had their spirits imprisoned in a fig tree (tree linked to the cult of Lilith), escaped, using their last strength to connect the roots of the tree to the realm of the dead, resurfacing as being neither alive or dead, reborn by the power of Ereshkigal and assuming Divine positions in the price to be paid by entremundos favors of Ereshkigal. I believe that the image in question expressed better the idea that Lilith flashes in their myths, the pair of symbols of immortality, brings us to this paradoxical condition between existential States, duplicity is a very interesting point animal to reflect too, representing the performance of Lilith in parallel dimensions. Hands, wings and elmo of Lilith:

Elmo:

  His helmet of horns, tells us about his individuality, conscious and unconscious, as a being outside of the standards related to natural processes, being a deity who has transcended both the concept of life as death, completely, becoming independent.

Wings:

  Its wings pointed down, provides us with the allusion of his performance on the lower spheres, maestral being a dominant of the ways of the House of the dead/Inferno/Unconscious.

Hands:

  The hands pointed at the sky, holding symbols that represent the Divine condition of a being, a degree of duplicity, tackles the issue of his performance in the two castes that control all Divine cosmic order, being owned, because their experiences and past occasions, both the kingdoms of life, the death, showing us a goddess who interacts with the two polarities of the existence, being a manifestation of the feminine principle of physical and metaphysical manner. A goddess who evolved to extremes, and sentenced the paradoxical condition both promotes confusion and plural interpretations ...

"Be and be on Lilith, it doesn't matter: Breeze, wind or storm."